An interview with the organizers of our ballet concert with chamber orchestra

Q: Do you remember the moment when you first thought: what if we staged a ballet with an orchestra and candlelight?
A: We have been working in the field of classical art for many years and had long been thinking about how to make performances more expressive and more memorable. That is how the idea came about of uniting live music, candlelight and ballet. Our aim was not simply to create a performance, but a unique, truly romantic and moving show that captivates the audience from the very first minute and stays in the memory for a long time.
Q: What inspires you when you create such evenings – art, history, music?
A: We are inspired by the timeless beauty of ballet and of classical music. It is not easy – not everything can be organized quickly and effortlessly – but it is a truly valuable mission: to bring more beauty into the world, to spread good and to share this extraordinary atmosphere, which makes people happier, with everyone.
Q: Which three words best describe the atmosphere of your events?
A Christmas fairy tale for everyone.
Q: How does your event differ from an ordinary ballet at the theater?
A: Our event stands out for its special atmosphere – it takes place in an intimate setting with real candles, which creates a feeling of warmth. The format is unconventional, too: not in every city can you experience ballet and a live orchestra so close to the audience on one stage. A feeling of complete immersion arises – the audience is literally within arm’s reach of the artists. That makes the concert particularly vivid and emotional. Whole families often come to us as well, children included. We present the classics in such a way that everyone can enjoy this art.

Q: How do you choose the venues for your performances? How important are architecture, acoustics and atmosphere? Which criteria do you apply when selecting a venue?
A: We choose theaters and concert halls that are conveniently located, have beautiful interiors and are loved by audiences. Some halls on our tour are stunningly beautiful, and we are very much looking forward to performing there!
Q: What is the most difficult part of organizing such an evening?
A: The most difficult part is, of course, the bureaucracy. It costs a great deal of time and energy. Another challenge is bringing a large group of people together – we have an international team with artists from different countries, organizers and musicians. Everyone has their own character, their own habits, experience and requirements. All of that has to merge into one whole, so that a real winter fairy tale, a harmonious performance, comes into being. For a few evenings everyone should become one – one beautiful and inspiring show. Oh, and the logistics – they should not be underestimated either.
Q: What do you look for when choosing dancers and musicians?
A: We look at the professional level and at flexibility in working together. There are outstanding professionals with whom collaboration is unfortunately impossible, because the process is bound up with stress and difficulties. A pleasant, friendly collaboration without pressure is very important to us. Human relationships play a major role – because we cannot convey calm and harmony to the audience if we do not carry them within ourselves.
Q: Have you ever had the feeling that you are doing something “real”? A moment in which you realized: this is not simply an event?
A: There are many such moments: when we received the first deliveries of posters, when we saw our posters in the cities. When people tell us that they have already bought tickets and are looking forward to our ballet – or when they write: “Could you come to our city as well?”
Q: Is there sometimes the fear that it will not work out, or that nobody will come? What or who supports you in such moments?
A: We are not afraid, because we know that our event is unique. A format like this is still very rare in Germany. We can also see from ticket sales that the halls will not remain empty. What motivates us greatly is the anticipation of seeing this magical experience on stage ourselves and of witnessing the joyful faces of the audience. We are also motivated by the possibility of organizing additional concerts in several wonderful historic theaters. We are working hard to make that dream come true.
Q: What would you ideally dream of creating, perhaps in your next project — if you did not have to think about budget, time or logistics?
A: Oh, we have many ideas! A whole list. We would love to create several more completely new, unique projects for Germany, more ballet productions, both classical and modern.

Q: What would you like to stay with people after your evening — apart from the memory of its beauty?
A: Inspiration that lasts a long time, the feeling that the time was spent meaningfully and changed people for the better. We hope that our show makes society at least a little bit better.
After the concert, adults can recharge themselves with the atmosphere of Christmas and festivity, and for the children we hope this concert remains a cozy memory of a winter fairy tale they experienced together with their parents. And perhaps it is even the beginning of a love of art, of ballet and of music.
Q: If your project were a person – who would that be? A modest romantic? An artist? An inspired musician?
A: It would be a very multifaceted and energetic person, well educated too, of course. Someone who loves ballet, music and people.
Q: What would you say to Tchaikovsky if he came to your evening?
A: We would thank him for making the world of ballet and classical music so much more vivid and so much richer. Thank you for giving us such a beautiful tradition every Christmas – admiring the ballet productions of “The Nutcracker” and “Swan Lake”. Thank you that, despite all differences, your music connects people all over the world and unites us all in a love of art and a hope for a better future.