Interview with the organizers of our ballet concert with a chamber orchestra

Q: Do you remember the moment when you first thought, “What if we did a ballet with an orchestra and candlelight?”

A: We have been active in the field of classical arts for many years and have long been thinking about how to make performances more expressive and memorable. That’s how the idea came about to combine live music, candlelight, and ballet. Our goal was not simply to create a performance, but a unique, truly romantic, and moving show that captivates the audience from the very first minute and lingers in their memories for a long time.

Q: What inspires you when planning these kinds of evenings—art, history, music?

A: We are inspired by the timeless beauty of ballet and classical music. It’s not easy—not everything can be organized quickly and effortlessly—but it’s a truly worthwhile mission: to bring more beauty into the world, spread goodness, and share this extraordinary atmosphere with everyone, which makes people happier.

Q: Which three words best describe the atmosphere of your events?

A Christmas fairy tale for everyone.

Q: How does your performance differ from a typical ballet at the theater?

A: What sets our event apart is its unique atmosphere—it takes place in a cozy setting with real candles, which creates a warm, inviting feel. The format is also unconventional: not every city offers the chance to experience ballet and a live orchestra on stage so close to the audience. It creates a feeling of complete immersion—the audience is literally within arm’s reach of the performers. This makes the concert particularly lively and emotional. In addition, entire families, including children, often attend our events. We present classical music in a way that allows everyone to enjoy this art form.

Q: How do you choose the venues for your performances? How important are architecture, acoustics, and atmosphere? What criteria do you use when selecting a venue?

A: We choose theaters and concert halls that are conveniently located, have beautiful interiors, and are beloved by audiences. Some of the venues on our tour are truly stunning, and we’re really looking forward to performing there!

Q: What is the most challenging part of organizing an event like this?

A: The hardest part, of course, is the bureaucracy. It takes up a lot of time and energy. Another challenge is bringing a large group of people together—we have an international team with artists from different countries, organizers, and musicians. Everyone has their own personality, habits, experiences, and needs. All of that has to come together as one so that a true winter fairy tale, a harmonious performance, can emerge. For a few evenings, everyone needs to become one—a beautiful and inspiring show. Oh, and the logistics—those shouldn’t be underestimated either.

Q: What do you look for when selecting dancers and musicians?

A: We prioritize professionalism and flexibility in our collaborations. There are outstanding professionals with whom, unfortunately, collaboration is impossible because the process is fraught with stress and difficulties. For us, a pleasant, friendly collaboration free of pressure is very important. Interpersonal relationships play a major role—because we cannot convey peace and harmony to the audience if we do not carry them within ourselves.

Q: Have you ever felt like you were doing something “real”? A moment when you realized: This isn’t just another event?

A: There are many moments like that: when we received the first batch of posters, when we saw our posters around town. When people tell us they’ve already bought tickets and are looking forward to our ballet—or when they write, “Can you come to our city, too?”

Q: Do you ever worry that things won’t work out or that no one will show up? What or who gives you strength in those moments?

A: We’re not worried, because we know our event is one of a kind. This kind of format is still very rare in Germany. We can also tell from ticket sales that the venues won’t be empty. What really motivates us is the anticipation of seeing this magical experience come to life on stage and witnessing the joyful faces of the audience. We’re also motivated by the opportunity to organize additional concerts in several beautiful historic theaters. We’re working hard to make this dream a reality.

Q: What would you ideally like to create—perhaps in your next project—if you didn’t have to worry about budget, time, or logistics?

A: Oh, we have lots of ideas! A whole list of them. We’d love to create several completely new, unique projects for Germany, including more ballet productions—both classical and modern.

Q: What do you want people to take away from your evening—aside from the memory of its beauty?

A: Long-lasting inspiration, the feeling that time has been well spent and has changed people for the better. We hope that our show makes society at least a little bit better.

After the concert, adults can soak up the festive Christmas atmosphere, and for the children, this concert will hopefully remain a cherished memory of a winter fairy tale they experienced with their parents. And perhaps it will even be the beginning of a love for the arts, ballet, and music.

Q: If your project were a person, who would it be? A modest romantic? An artist? An inspired musician?

A: He would be a very multifaceted and energetic person, and of course well-educated. Someone who loves ballet, music, and people.

Q: What would you say to Tchaikovsky if he came to your concert?

A: We would thank him for making the world of ballet and classical music so much more vibrant and rich. Thank you for giving us such a beautiful Christmas tradition—the chance to enjoy ballet performances of *The Nutcracker* and *Swan Lake*. Thank you for the fact that, despite all our differences, your music connects people all over the world, uniting us all in our love of art and our hope for a better future.